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Here is the space for our German, agoraphobic, reclusive, mastering/videographer maverick, Klaus Karloff to ponder and rant...

schimpfen from Klaus KArloff

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20/06/2021

Two different realities: 

From a musician perspective:                                                    From media (middle men vultures) perspective:

 

 

 

 

 

 

This whole thing is ass backward... Gottverdammt!

....end of rant... for today! 

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05/06/2021

Ha, the wúnderbar Newspeak language!

Have you ever notice now how musicians or band don't release but "drop a new song"?

Don't know about you, but to my ear, it sounds a lot more like an organic action (like what i'm doing after my coffee and cigar in the morning)! Maybe that is the hidden meaning... Who knows?

....end of rant... for today! 

23/05/2021

I had drifted apart (both literally and figuratively as i live on a barge) from the music business world for a few decades. I come from a world where musician were doing promotion through gigging (I know, difficult for the time being) and advertising was done through words of mouth: band started supported by their close friends and if they were good, words got out, the circle widened and they built an audience. After this period where I stayed away completely from the music business what I witnessed when I came back to it earlier this year (to help meine guten Freunde Golem Dance Cult) was not the best sight :

  • music is now more than ever considered as a simple commodity (or a soundtrack for a dance routine on what the junge Leute call TikTok?)

  • Internet and social media/tools were supposed to cut the middle man and help diffusion of music for the musicians (remember the argument in the Napster case) but it seems to me there are more middle men than ever now. A whole ecosystem of middle men has been created and l;et loose on unsuspecting musicians....

  • save for a few passionate people, it is now becoming the land of "rap and honey" (to paraphrase the band Ministry) in terms of scammer who propose "amazing deal and out of this world diffusion" which are actually a lot of time rebranding of free distribution services or shameless self-promotion. I'm not even referencing the level of knowledge of the music business those "intermediary" have (Charles had an interesting email exchanges a few week ago with a "label" who did not know what was the difference between recording contract, publishing deal and license but wanted him to provide them exclusivity on the album and pay for diffusion on Deezer and iTunes).... gottverdammt!

  • "new deal" proposed by established actors are so unfair as to make the Faustian pact looks like a creative common license. Established label now proposed 360° deal  as a first option to new signing act. What does it means? It means that label get a piece of the pie of everything artist are doing be it: concert revenue, merchandising, publishing and recording, for the whole universe, for all eternity... (Faustian indeed) 

The saving grace is that there is stil a fair amount of passionate people with great ideas and the will to change the status-quo. I'm currently making a white list of those (in my little black book), and  will consider sharing for those interested. 

....end of rant... for today! 

Search

August 2023- Video directed by Klaus Karloff who here invites viewers to an imaginary road trip... Or witnessing the moment when ones drive to seize the night becomes an obsession and takes control.
Road scenes have been shot in New South Wales and Victoria (Australia), scenes inside the car -with Laur and Charles- in Besancon (France) and ghostly apparition of the beautiful Inga Liljestrom in Belgrave (Australia).
Additionally there is extracts from a police embedded camera (https://www.youtube.com/watch?v=T6Mib4q16DQ) and views of Bonnie and Clyde’s Death car. Here's an article from "Punk Head" on the making of this song.

21st Century Dogs

May 2023- Video made by Klaus Karloff, with image shot by Amelia-Moon, Laur and Charles Why. The plot is to understand what the World looks like through the eyes of a dog... before and after said dog decides to bite the hand that feeds and revolts against the masters. All under the -not so helpful- eyes of Golem Dance Cult. Additionally Klaus used the screen as to make the protagonist crept at you, involving the viewer in a direct way. The video includes reference and extracts to/from:  "Night of the Living Dead" by George A Romero; Le Chien Andalou" by Luis Buñuel; Wolf Blood a Tale of the Forest" by George Chesebro.

Dalek Rhetoric

January 2023. Dalek are extra terrestrial killing machines with a binary thinking pattern: you are either a Dalek or they will destroy you.
This video has been realised by Klaus Karloff and shot on location in Emerald train station, Melbourne (Victoria, Australia), Besancon and Belfort (France).
As a visual inspiration, in addition to Dalek (Doctor Who), there are reels of the invasion of Ukraine by Russia (another Dalek move), extracts from the movies “Phantom from Space” and “Plan 9 from outer space”  and of course cameo from our old mates “Nosferatu” (Max Schreck) and “Dracula” (Bela Lugosi).

Special thanks to Aaron for the drumming.

Nosferatu Waltz

Video made by Klaus Karloff to celebrate Halloween 2021... Shot on location in the UK (Emberton and Olney) and France (Besancon and Belfort) with additional footages from the first “Nosferatu” (Friedrich Wilhelm Murneau), “White Zombie” (Victor Halperin -starring Bela Lugosi) and “Beauty and the Beast" (Jean Cocteau). Special thanks to Inga Liljestrom for the beautiful backing vocals and her cameo at the end of the video.

Marry Me Frankenstein

June 2021. This video has been made by Klaus Karloff and Charles Why. Shot on location (Besancon/France and Weston Underwood and Olney/UK) by Laurand Amelia-Moon. Additional footages from the first "Frankenstein Movie" by Thomas Edison and "Der Golem" by Paul Wegener. 

(In my time of) Living on Mars

May 2021. This video has been made by Canadian experimental filmmaker, Guillaume Vallee who worked on VHS with analog harware.

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